Hand-embroidered artworks — my personal interpretation of folk art. I sketch and embroider each design as a single, one-of-a-kind piece, confirmed by an attached certificate of authenticity. 

From building the frame and stretching the linen fabric, to the embroidery itself and the final framing — every stage is made by hand.

Each artwork is ready to hang, vertically and/or horizontally and has signature. 

It can be framed in solid-oak american box frame.

Modern, timeless, precise, organic, abstract, linear, decorative, raw. This is the essence of Linoline embroidery — a unique form of contemporary textile art, born from tradition and transformed into design for contemporary interiors.

About Linoline.

Cotton —

lustrous depth

Wood - solid oak

- built to last

You will only find oak frames here. Floating frames, American box frames — often nicknamed “L-frames”.

Solid wood only.

Not laminate, not veneer.

I have always made them myself.

It’s a labour-intensive How It Works, especially by hand, but it’s rewarded with durability and the character it brings to interiors.

Cotton embroidery floss consists of six twisted strands that create a beautiful sheen. It produces a unique effect characteristic only of the embroidery technique. It allows me to accentuate individual elements and sculpt three-dimensionality, giving the impression of a textural bas-relief.

Patterns evolve, new collections emerge — yet what would textile art be without natural materials?

Linoline is built on three elements, bound together by the timeless craft of embroidery: 

pure linen fabric, cotton thread, and oak frames.

This harmony makes each artwork not only enduring and timeless, but also remarkably easy to care for — unlike most textile art.

It asks for no special treatment, only a place in your home.

NATURAL  RESOURCES

Linen — naturally 

dust-repellent 

A fabric deeply rooted in folk art.Resistant to high tension and loads. Antistatic — and that’s what interests us most — it doesn’t attract dust. It has hypoallergenic and antibacterial properties. Thanks to this, Embroidered Artworks can please the eye in an open display, allowing them to be experienced through touch and light.  

Meet the creator

Hi! I’m Wioletta Węgrzynowicz-Nowak,

an interior architect

who needed to slow down.

Since I can’t really relax doing nothing, I started creating embroideries while watching series.

I love designing across different fields — especially fabric patterns for children. It lets me keep doing new things with a fresh head.

The most important thing in design for me is composition. It connects all the elements and makes something appealing, even if it isn’t in our usual style.

That’s the essence of it all.

Why

embriodery?

I'm drawn to a return to what is elemental — to surrounding ourselves with natural materials and the knowledge our grandmothers and great-grandmothers once carried. But not in a derivative way. In a way that gives rise to modern, unexpected forms and compositions.

Embroidery is not only cross-stitch, not lace, not just a passing trend. It can become wall art framed like a painting, or evolve into installations, interior accents, photo backgrounds, and unique design objects. The possibilities for both classical arrangements and contemporary applications are vast.

I believe its moment is arriving — and I want to explore the potential of embroidery to the very edge of what it can be.